Eileen Braun

I had few store-bought toys as a child, and was encouraged to invent my own. With scrap paper, fabric remnants and various found objects and fueled by an imagination filled with curiosity, my playthings came to life. This is still the mindset nurtured in my “happy discovery” studio.

Born in Boston, Massachusetts, I earned a BA in Sculpture and Art Education from Indiana University. Before establishing my Atlanta studio, I served as Executive Director of a New York art center, worked as an art educator and managed a museum retail operation in Illinois. As a diplomat for North Central College of Illinois’ Self Employment in the Arts (SEA) program and as a panelist and presenter for the National Basketry Organization (NBO), I’ve shared my expertise with others. I am a Hambidge Center for the Arts and Sciences Fellow.

Artist’s Statement

I enjoy challenging the boundaries of what belongs in an artist’s toolkit, reimagining porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and gilding foils in new and innovative ways.

Recent work transforms dressmaker’s pattern tissue through a process I call “Finger Knitting.” These sculptures — often accented with gilding foil or salvaged mill fiber — become large wall hangings and vessels with undulating, intricately textured surfaces.

I believe that by choosing to disregard the conventional rules for a material, I can work with complete creative freedom.

I sparked some attention when I first combined rattan reed commonly used in making baskets with industrial rubber used in construction. This unexpected pairing produced sculptures with a distinctive sense of personality and movement.

It all begins with a sketch. I am very consistent in taking time every day to draw in my sketch book. This is meditative time. Although my work is 3D, they are very much drawings — in space.  The shadows they create are informed by the often changing light passing through the form. 

My experimentation with dressmaker’s pattern tissue began as a way to texture surfaces and wrap reed forms. Later, I began using the tissue as my primary medium, cutting it into four-inch-wide strips and knitting it solely with my fingers. Close inspection reveals the tissue’s original printed directional guides, preserving its industrial origins.

By juxtaposing this humble, often discarded factory byproduct with materials such as gold gilding and salvaged fiber, traditional notions of value and materiality are challenged, spotlighting the undervalued labor of the sewing industry and exploring the historic significance and preciousness of gold. The tissue gains renewed presence and worth.

The large scale of these knitted constructions dramatically shifts the material’s role from a hidden, utilitarian substrate to a central, commanding element. Look closely, and you can see the echo of natural landscapes in their draped peaks, folds and gullies.

Gallery Representation

Gallery Representation 2025

Gravers Lane Gallery. Philadelphia, PA

Ivy Brown Gallery. NYC, NY

Mason Fine Arts And Events. Atlanta, GA

Momentum Gallery. Asheville North Carolina

Onna House Gallery. East Hampton, NY & West Palm Beach, FL

Thomas Deans Fine Art, Atlanta, GA

Museum exhibitions

American Museum of Ceramic Art (CA)

Contemporary Arts Museum (AZ)

Houston Center for Contemporary Craft (TX)

Hunterdon Art Museum, (NJ)

Museum of Fine Arts Boston (MA)

Museum of Contemporary Art Georgia (GA)

Ogden Museum of Southern Art (LA)

San Angelo Museum of Art, MESA, (AZ)

Wiregrass Museum of Art (AL) 

Niche Awards in Ceramics: American Made Show, The Rosen Group.

2007 Student Finalist: My Father Was A Shriner

2012 Finalist : Ceramic sculpture, 3 Vessels

2014 Award Winner: Black Bird Teapot

2015, Award Winner Sculpture: Splash Bowls

2015 Finalist Teapots: Gone Fishing

2016 Finalist Teapots: She’s So Hot Teapot

2017 Finalist Sculpture:  Jasper Ware Urn

Braun’s work is in the collections of VISA Corp., Kamm, Meditech, Sara & Bill Morgan, and of Arthur Goldberg.  Print images of Braun’s work are in Lark Books “500 Teapots II” and “Treads of Tomorrow” Blurb Books.

Invitational Fiber Exhibition Highlights

Spruill Gallery, GA :Questionable Origins, Solo Exhibition 2020

Spruill Gallery GA: Stripped Down,2025

Ogden Museum of Southern Art, LA: Featured Southern Artist,2022

Hunterdon Art Museum NJ: Uncontained: Reimagining Basketry, 2024

Onna House Gallery , NY: Summer Fiber Exhibition, 2024

Gravers Lane Art Gallery, PA :Small Bites, 2024

BravinLee Projects, NYC: Golden Threads II, 2025

Thomas Deans Fine Art GA: TBA 2025

Mason Fine Arts GA: The Gilded Unseen, Solo Show 2025

The C.A.M.P. Gallery FL : Women’s Pulling Threads, 2025

Mindy Solomon Gallery FL: TBA, 2026